Talk To Me @ MoMA – chaotic, engaging, weird and brilliant

Last summer I went to New York where I visited the ‘Talk To Me’ exhibition at the Museum of Modern Art (MoMA) which I really enjoyed so I thought I’d share my thoughts and some personal highlights – it’s taken me a while to sit down and write.

The exhibition is curated by  Paola Antonelli and explores ‘design and the communication between people and objects.’ So what does this mean in practice? Well, lots of things: from strange interactive objects, data visualizations, guerilla tech projects to commercial iPhone apps. In fact, there were so many different types of contrasting exhibits that at times you could have been fooled into thinking that you’d accidently walked into an adjacent exhibition. Indeed, Creative Review described the Exhibition as ‘Chaos’. Chaotic it may be but I really enjoyed it and as a creative agency type looking to  be influenced by innovative creative ideas I felt spoilt for inspiration. Part of me also felt as though I was in an adult version of the London Science Museum’s Launchpad - the place in the basement ’where science comes to life’.

One of the first things I noticed upon entering the exhibition is that every exhibit (194 in total) had its own QR code and associated Twitter Hashtag. Being a geek I took to exploring the QR codes before actually looking at the exhibit. Each QR code linked to each exhibit’s individual page within the exhibition website which contains a Twitter feed of the exhibit’s Twitter hashtag. In this way the exhibits record people’s views and discussions about it in real-time, thereby becoming a timeless platform of conversation. The whole online aspect of the exhibition adds a timeless dimension to the exhibition and the accompanying website could in fact be described as a piece of art, but that’s a whole other story.

Sticking with the theme of QR codes…There were a number of exhibits which featured QR codes, one of which, or rather project representations, was the ‘Gotham Guide’. This is a series of yellow QR codes on walls and surfaces throughout New York . When users come across one of the Gotham Guide QR codes they can use their smartphones to access a wealth of historical facts about that particular site or neighbourhood. The idea being that this allows users to ’explore the city at their own pace, or even to stumble upon these troves of information while running an everyday errand; for those who desire a more directed, comprehensive tour, Gotham Guide publishes maps clearly indicating where all their QR codes are located.’

Gotham Guide: QR code on NYC fire hydrant

Gotham Guide: QR code on NYC fire hydrant

There was also a picture of a QR code crop field, created by Bernhard Hopfengartner. Now I’m guessing there’s no SmartPhone big enough to make use of this so it must therefore be ‘art’ – either that or the lawnmower man is was hoping aliens have QR code readers. I found this concept interesting as it turns on its head the notion that  QR codes are ugly patterns. Indeed, the QR crop field is useless and big enough for everyone see from Google earth.

QR Crop Field

QR crop field: visible on Google Earth

 

Moving away from QR codes and onto augmented reality…one of my favourite exhibits was the ‘Augmented Reality Flash Mob.’ Human-statue performers appear in public places around the world (those annoying people who pretend to be statues in city centres). However, using QR codes (sorry I tried to get away from them, honestly!), Layar technology and smartphones, users can connect to an augmented-reality platform to take the phenomenon one step further. The designers coordinate, on a specific date and time and place, a series of virtual three-dimensional characters—including Darth Vader, zombies, Spider-Man, the Beatles, and Smurfs—which anyone with a smartphone can see and walk among. The characters can only be viewed (and photographed) through a device; pictures of the event can then be uploaded and printed, creating a visual record of a virtual event.

 

Reading this you’re probably thinking the whole exhibition was about QR codes but it was in fact a lot more varied, in fact it’s difficult to really pick out what could be described as quintessential exhibits. The exhibits varied from showcasing the brilliant work of the agency world, including BakerTweet (the tweeting oven) from Poke London (updated to show croissants from the MoMA cafe) to infographics (nothing more thant the bog standard stuff you see sent around on Twitter on a daily basis), to just plain weird things (or art I simply ‘don’t ‘get), such as a chess set made of dildos.

It’s fascinating to see what creative digital ideas people come up with when there’s no client brief or other commercial pressures. As such, the exhibition has inspired me to pursue some of the my own non-commercial digital interests (watch this space). Ironically perhaps  a lot of the non-commercial ideas could easily be repackaged for commercial campaigns (I’m going to be hated by some for saying that). Although I agree with the sentiment that the exhibition is perhaps chaotic it was also engaging, interesting, weird and made me think, which is surely the point of an exhibition?

London ad agency create ‘world’s biggest advent calendar’

TBWA/London have created the world’s biggest advent calendar by turning its office building in central London into a series of 24 windows. Each window will be opened throughout December and will feature an illustration of different artists wishes for 2012.

Swear on Twitter. Raise money for #famineaid #fuckfamine

Simply pledge to pay £1 per swear on Twitter and connect your Twitter account to SwearJar, which monitors your swearing, and tweets you a link to pay up after a week.

Use the hashtag #fuckfamine, and raise lots of money for the UNICEF famine appeal.

 

 

via Swear on Twitter. Raise money for #famineaid | The Wall Blog.

Banksy Artwork for Occupy London #occupylsx #ow

Banksy has given the Occupy London Movement his own version of the classic Monopoly game with Uncle Pennybags asking for a handout. You can find the street art at St. Paul’s Cathedral.

Mexican side replace shirt names with Twitter handles

Mexican Primera Division side Jaguares have taken their dedication to Twitter to a new level, by printing players official account names on the back of their shirts.This isn’t the first time that soccer and social media have collided, as many Premier League stars use Twitter and Facebook to interact with their fans. However, most initiatives so far have come from players themselves, rather than from their clubs. The club even added its own Twitter handle to the front of its players’ shirts.Although the initiative is a first in Mexico, it’s not completely new; in fact, the Spanish club of Valencia had already done almost the same last month. In the absence of a sponsor, the club had used its own Twitter handle on the front of players’ shirts in lieu of a sponsor’s name.While Valencia’s campaign didn’t involve a sponsor, Los Jaguares’ shirts combine both worlds and promote their sponsor’s Twitter account at the same time as their players’. As you can see on the picture, the club is sponsored by the beer brand Cerveza Sol, which largely benefits from this marketing stunt.However, it doesn’t seem to have converted that well so far: the official Twitter account for the club only has 10,000 followers as we write. As for its Colombian striker Jackson Martinez @jacksonm9, the two tweets he has posted only won him a mere 569 followers.

via Mexican side Jaguares de Chiapas replace shirt names with Twitter handles | Football Marketing.

Stunning 3D projection from LG [video]

 

Wheres Your Target Audience? – Target Audience Analysis – [infographic]

The latest data from Gorkana’s audience research tool UKPulse shows the changing face of the UK’s news consumption habits and offers a unique insight into what news sources the nation trusts:

  • 43% of the UK population do not read a national newspaper
  • 61% of 24-44 year olds trust their friends as news sources over the media
  • 22% of 24-35 year olds spend 20 hours or more a week on social media

via Wheres Your Target Audience? – Target Audience Analysis – Metrica.

Guardian’s Open News List initiative – What does it mean for PR, if anything?

Guest post by Matthew Hickley, Head of Media, Blue rubicon

You’re probably aware that the Guardian has started an experiment to publish its twice-daily news list on its website (or at least an edited version of it) and inviting readers to have their say and make suggestions. It’s worth our knowing about it. See here

What does this mean? Specifically, what does it mean for our clients and the way we help them communicate?

For daily newspapers the news list is the equivalent of a broadcast bulletin running order. It’s a working planning document which goes through two or three iterations each working day – being the basis for news conferences – and it sets out all the main stories being covered in the next day’s edition, lists the different elements being worked on and the angles being worked up and names the journalists writing the story.

Traditionally it’s been a very closely-guarded piece of paper, because newspapers are so competitive. At the Mail every now and then there’d be a leak inquiry, and we’d go through phases when the news list wasn’t distributed beyond the editor and his key henchmen. Often when there was some big exclusive the top item wouldn’t be revealed or discussed, but would just refer to a “special”. Certainly the idea of the Sun or the Mirror publishing their news list in advance is pretty unthinkable.

So the Guardian’s out on a limb among UK newspapers. Open news lists aren’t an entirely new approach among some broadcasters outlets, and the Guardian itself points out that a Swedish newspaper has tried something similar, but British papers haven’t done this before.

Why bother?

By the Guardian’s own account this is about crowd-sourcing – the idea being that by telling people what reporters are working on, they’ll encourage readers to make genuinely helpful suggestions about what angles to cover or where to go for information. Interestingly they want people to tweet #opennews rather than email newseditor@guardian.co.uk, so that everyone can see what’s going on.

It’s a bit like eating in a restaurant with an open-plan kitchen.

As news editor Dan Roberts wrote in the Guardian on Sunday: “What if readers were able to help news desks work out which stories were worth investing precious reporting resources in? What if all those experts who delight in telling us what’s wrong with our stories after they’ve been published could be enlisted into giving us more clues beforehand? What if the process of working out what to investigate actually becomes part of the news itself?”

He billed the open news list as an “experiment”, and made clear that they’ll only reveal parts of the daily news list, adding: “The idea is to publish a carefully-selected portion of the national, international and business news lists on this daily blog and encourage people to get in touch with reporters and editors via Twitter if they have ideas.

“Obviously, we’re not planning to list all our exclusives or embargoed content and we’ll also have to be careful not to say anything legally sensitive or unsubstantiated. Nonetheless, we think there are lots of routine things that we list every day which might provoke interesting responses from readers: everything from upcoming press conferences, to stories we need help uncovering.”

Critics may scoff, and question whether the Guardian will get anything useful out of this. They’ll also point, with some justification, to the stripping of newsgathering resources out of the loss-making Guardian, and question whether cheap crowd-sourcing is any substitute for experienced, talented and properly paid journalists.

In fairness, the move is very much in keeping with the Guardian’s digital vision. A few months ago you’ll recall that they announced a “digital first” strategy. Stories now go up on the website long before the print edition unless there’s a good reason to do otherwise. The Guardian put down a marker clearly showing their belief that the future of news is online.

It’s also in keeping with the paper’s aspiration to build and host online communities – to be the place where informed people go to discuss things online, as well as going to seek news coverage itself.

So, does the open news list give much away?

Not a huge amount, judging by yesterday’s effort. The public were able to learn that the Liam Fox story was top of the Guardian’s news list, that it was being written mostly by political editor Patrick Wintour, and that various other court cases and bits and pieces were being covered, including Home Affairs Correspondent Alan Travis covering the big speech on immigration.

So far, so unsurprising. The foreign news and business news lists were likewise interesting but not really startling.

How can we use it?

Blue Rubicon will be keeping an eye on the open lists as part of our media monitoring, and for quick-hit opportunity spotting. We’ll be checking for clients’ names on the morning news list – or more likely the business news list – and flagging up references. The list may highlight an issue our clients should be commenting on or reacting to in some other way.

And it might some offer reassurance if a story we’ve sold in appears on the list – although items often make it onto the morning list but then never actually making it into print. And bear in mind, if the Guardian’s got something properly juicy up its sleeve, it won’t mention it on the open news list.

Can we use this whole thing as a selling-in tool?

The Guardian claims not. Dan Roberts pledged that they won’t “pay much attention to pestering from PR people.” Well, that’s put us in our place!

Nonetheless we hope to be approaching journalists and making suggestions, as it should be a really good way to work with the grain of the Guardian’s news agenda and check for opportunities. In keeping with social media best practice and our own Blue Rubicon guidelines, we’ll always be transparent about this. If we’re speaking up on behalf of a client, then we’ll say so.

Will the Guardian’s approach work?

Hard to say, yet. It may catch on it or may well prove more effort than it’s worth and be allowed to die quietly.

The key will be whether Guardian staff actually get anything useful out if. It will inevitably use up resources. Trawling through readers’ tweets is perfectly possible, but actually sifting through to find those that appear useful – and then pursuing them to check whether they really are useful – takes a lot of time, and news journalists don’t have much of that to spare.

Dan Roberts ends his piece on a moral high note: “In a world where many readers have been left deeply cynical about journalism after this summer’s phone-hacking revelations, it seems there are more people wanting to know where their news comes from and how it is made. Painful as it might be for journalists to acknowledge, they might even have some improvements to make on the recipe too.”

True. Or open new lists may attract a lot of noisy trolls, without adding much value. Time will tell.

We’ll be watching closely.

Aviva’s ‘You are the Big Picture’ brings giant photo frame back to the South Bank #avivabigpic

Today, Aviva (a client), launched its 2011 “You are the Big Picture” campaign, bringing its giant photo frame back to London’s South Bank for 10 days of public projections.

If you don’t remember last year’s activity – it involved getting the public to submit their portraits for projection onto the side of the iconic National Theatre building.  In 2010, almost 60,000 people from more than 200 countries took part in the campaign.

This year, Aviva will introduce a new twist to the Big Picture projections.  Everybody who submits a photograph will be asked to say in five words what matters most to them.  If their photo gets projected onto the National Theatre, so will their message.  This might sound a bit cheesy but the end product is actually quite cool – the app produces a piece of word art based on the words you submit.  Like so:

(That’s X Factor winner Alexandra Burke by the way, who is a big fan of both singing and cupcakes).  Each person that is selected for projection will be given the time of their moment of fame so they can watch it in person or via YouTube livestream.   Once you’ve uploaded your photo to the gallery, the system also creates a custom video using your image for sharing with your friends.

Check out www.facebook.com/aviva.  It’s well worth uploading a pic, as Aviva will donate £2 to Save the Children for each image donated.

This is me. I like: Arsenal, cheese, Vespa’s and beaches….

Engagement on the Facebook walls of leading brands is down 22%

This is just a list summary of an article, entitled  Four Things Mark Zuckerberg Should Tell Every CMO, which appeared in AdAge. It’s one of the best articles I’ve read on social media in a while. It looks at data on 300 Facebook brand pages and paints a picture of the future, given today’s marketing practices on Facebook. Main points are:

    • If marketers don’t get better, they will fail to capture the value of social media marketing.
    • Engagement on the Facebook walls of leading brands is down 22%. Brands aren’t playing for the long term.
    • Not all 300 brands saw a decline. The winners included brands like Deutsch, Renault, Hermes, Lowe’s, and Chanel. These brands didn’t have the most fans, but day in and day out, they are performing magic in keeping their fan base engaged.
    • Local pages drive 36% better results. Global results are built one region at a time. Regional programs perform significantly better then global ones.
    • Global websites often performed worse then targeted local ones. Local marketers often showed little support for global programs.
    • CRM databases performed worse as they grew bigger and lost focus.
    • Talk to your fans six to seven times a week at relevant times.
    • Many brands drone on 10, 15, even 20 times a week.

So, what’s a global marketer to do?

  • Build a structure for scaling social marketing across your enterprise. This is a business exercise, not a marketing one.
  • Run your brand’s community management in-house and hire someone to do it right. Outsourcing your brand “voice” is not a viable long-term option.
  • Stop pretending you don’t have the budget for headcount — you likely spend millions on media.
  • You can spare some to maintain relationships with your best and most influential customers.
  • Task your agency to develop original creative content. Engaging videos, flash experiences work best.
  • Stop being so tactical, and quit treating Facebook like a promotional wastebasket.
  • Most importantly, know and understand your data.
  • Build a dashboard of KPI’s you care about. Assign goals and track your progress against industry benchmarks.

via Four Things Mark Zuckerberg Should Tell Every CMO | DigitalNext: A Blog on Emerging Media and Technology – Advertising Age.